If you have been following along on my Sisterhood of Scraps stories, then you probably know about my love of the color Orange.
One of the Orange quilts that have been on my “MUST MAKE Pinterest Board” is this antique quilt from Barbara Brackman’s quilt collection. I was so excited when she let me include it in the Sisterhood series of books. Then comes along All Hallow’s Eve by Fig Tree and Co, and I became obsessed with the orange’s in this collection, the color is officially named pumpkin. Not too bright or not too orange….just right.
I knew I had found the perfect fabric to remake Barbara’s quilt. Stock # 20354-11 just in case you want to rush to the store to get some.
What really is the hardest decision in the quilt making process is how to quilt it. Finding a quilter that can work their magic takes some time. Several of the quilts in Sisterhood of Scraps were quilted by Maggi Honeyman, so I asked her to do a post about how she goes through the process of quilting scrappy quilts.
When Lissa asked me to write a post about quilting scrappy quilts, I knew it was a subject that is right up my alley. My quilt-making journey has been about scrappy quilts from the beginning. The more fabrics that are included in one quilt top, the better! So, when it comes to quilting them, I feel at home. Over the 19+ years that I have been quilting on a long-arm quilting machine for other individuals, there has been a big transformation in how we approach quilting scrappy quilts. When I started, doing an all-over repeated pattern on most quilts just wasn’t the preferred option. This has changed recently, particularly on scrappy quilts.
I am a very traditional piecer and my quilting style definitely tends towards traditional patterns, whether on scrappy or more fabric specific quilts. I always try and let the quilt suggest to me what it needs in the way of quilting when the piecer is unsure of how they want their quilt finished. The types of fabrics or the block design are a couple of ways a quilt can talk to you. Sometimes it takes getting the quilt loaded on the machine; and other times, the quilt speaks for itself. Feathers and crosshatching are always great go-to-patterns for custom quilting. For the more modern quilts, it has been a bigger stretch for me artistically. When deciding on ideas for quilting, I will use a piece of Press-n-Seal to carefully draw on top of the quilt, which helps me visualize how my idea will actually look on the quilt. There is also a multitude of long-arm machine quilters who have written fantastic books with design ideas, as well as internet resources, that have lots of ideas for custom quilting on all types of quilts. These books and the internet have changed the machine quilting world immensely.
Having said this about custom quilting, all-over/edge to edge designs have become much more acceptable, just as machine quilting is more acceptable than it was 20 years ago. When looking at scrappy quilts, I feel that the fabrics and the actual piecing pattern make the biggest or most important statement for a quilt. On these quilts with so much interest in the fabrics and design, the quilting simply needs to add texture and dimension. I will pick an all-over design for scrappy quilts as often as choosing to quilt it custom.
As with scrappy quilts, I have always loved pieced backs. My philosophy is to use what I have and that includes pieced backs. But what I really mean is if I don’t use what I have, then I can hardly justify buying more!! So, when customers bring pieced backs, I am quite ok with that. However, when there are lots of pieces used for the back, it is very easy for the back not to be “square”. Careful measuring and piecing is just as important for the back as it is for the front so that you have a nice flat back. While quilting the top, I can see when a bit of adjustment is needed and I can attend to it. When the back has some less than square properties, it is much more difficult to see and correct while quilting. Many of my quilts have pieced backs, as it adds another artistic element, and making quilts is very much an artistic outlet for most quilters. When I piece my backs, if I am not using some of my leftover blocks for part of the back, I use a ½” seam allowance with a slightly shorter stitch length and then press the seams open.
As far as pressing seams prior to quilting, when a piecer chooses to press the seams open, they should know that any stitch-in-the-ditch quilting is more difficult. Also, stitching in an open seam runs the risk of cutting the piecing threads with the needle while doing the quilting. If the seam is pressed to one side, it gives you the ditch to stitch in, which provides the stability and structure that stitch-in-the-ditch is intended to give. Having said that, open seam allowances allow for much flatter intersections to quilt through and over. Thicker seam allowances always benefit from very good steam/heavy pressing to ensure they are the flattest they can be.
I hope these thoughts have given you some insight into my quilting process for scrappy quilts. Everybody has their own process, but in the end, we are all makers in one big sisterhood of quilters. This is first, a way to relax, express ourselves, belong to a group, and have fun. There are no hard and fast rules and there is no perfection. Make it yours and know I truly love quilting with you!
Thanks so very much for quilting with me,
Thank you Maggi for always making my quilts SING! and sharing such great tips.You can find Maggi on Facebook.
and Instagram @sewmaggi
Join me back here tomorrow as I share what Maggi has been working on lately.
** Sisterhood of Scraps is available NOW from your favorite book retailer.
Nancy is a very prolific designer. She is a Bernina ambassador, has done several books on paper piecing, is published in magazines, teaches online and on cruises.
This one is mine!
The subheading of the book is 13 remarkable quilts with Timeless Appeal, so I planned on making a classic orange peel design. To be quite honest I was not happy with how my points on the applique lined up, so I decided to add some sashing. I loved how it turned out. What could have been a big mess-up actually made me do some creative thinking and design a completely different quilt?
Baskets in Blue from the collection of Julie Hendrickson of JJ Stitches. Julie has a shop in Sun Prairie, Wisconsin and is a quilt historian and collector. She has shared one of her antique baskets quilts in the Blue and White book.
Cornered by Jill Shaulis of Yellow Creek Quilt Designs. Jill’s shop is in Pearl City, Illinois. Jill certainly creates timeless projects in everything she touches.
I am obsessed about everything Farmhouse. ( thank you Joanna Gaines)
Love the fresh look.
Love the timeless style.
Love the classic simplicity.
I have hunted for vintage grain sacks/ toweling and paid big bucks for it. When Moda started making toweling many years ago it became a basic but people still asked what do I do with it? Moda’s toweling is available by the yard, hemmed on 2 sides and assorted designs
and fabric weights.
In steps Jenelle Kent, taking toweling to a whole new level as shown in her new book, Farmhouse Fresh.
Adding appliqué is just one way to bling your toweling.
There is nothing more classic than making pillows from the toweling. The variety of fabric weights make substantial pillows. Adding buttons, ties and even embroidered panels take the projects to the next level.
The toweling is generally 100% cotton so it is great to combine with your fabric quilting fabrics.
I love this blue stripe and the tech organizer.
I desperately need to make a sewing machine cover and this one is calling my name!
Are you intrigued? There are more projects but I wanted to share that due to the popularity of toweling, Jenelle has designed a few fabric towelings that are 60″ wide. Duvet covers, quilt backs, home dec and so much more, but more on that later.
Farmhouse Fresh has 11 different projects and includes the embroidery stitches for everything. Any of these would make perfect birthday or hostess gifts for that special person on your list.
I have a book compliments of Martingale Publishing and I am going to
add a 3 yd chunk of toweling to sweeten the deal.
Leave a comment and tell me which project is your favorite.
Be sure and follow all of my friends that are on the book tour for more info
Today is my mom’s birthday or as we all called her, Gammy, you know like the Grammy’s. We all won the biggest award by having her in our lives. She was so creative and taught us all to work with our hands. In honor of my mom’s birthday, January 6th is the best day to announce the debut of Sisterhood of Scraps.
Sisterhood of Scraps is a follow-up book to Oh Scrap, but this one is bigger and better because some of my friends have come along for the journey. Laurie Simpson, Susan Ache, Barbara Brackman, Sandy Klop, Kim Brackett and Sheryl Johnson all helped make this book happen. Each of these talented women said YES when I asked them if they wanted to take on the challenge.
They weren’t scared!!
I paired with each person to make a quilt incorporating a certain shape. I would do the same shape but neither of us knew anything else. No other rules or limitations and I hope these quilts inspire you to join the Sisterhood of Scraps.
First up is Laurie Simpson of Minick & SImpson. Laurie has a very classic and timeless style and this quilt did not disappoint. The challenge for Laurie was 4 patches and 9 patches. Remember that was the only rule. There are so many secondary patterns in this quilt that I can look at it over and over and see different patterns created by the lights and darks throughout. The stacked brick border sends your eye back into the quilt. The quilting pattern is what I call a baptist fan. The curved shape of the quilting compliments the linear piecing.
This is my version of 4 patches and 9 patches. I don’t know how most people go about making a scrap quilt but most of the time I just start sewing shapes. It is my therapy, mindless sewing at the end of the day while binge-watching my favorite show.
This quilt is bits and pieces from a couple of other quilts I have made. I call it Friendship Starter because it reminded me of the Amish Friendship bread recipe. Friendship bread you create the starter, keep adding to it and wait patiently until it is time to make bread all the while the starter is shared with others to cultivate their recipe.
SIDE NOTE: I did pass along all the little four patch starters.
Susan Ache of @yardgrl60 Has created just the perfect pop of color using a red background for her LeMoyne stars surrounded by Log Cabins. The quilt is brand new but has that wonderful soft vintage feel as if it had been around for decades. A red binding finished it off beautifully.
Log Cabin was our shape in common. I made a log cabin on point with different centers, half dark and half light to create a woven pattern. If you have followed me you know I love using a combination of different Moda fabric designers’ fabrics. It just makes me happy and I think of each of them as I touch each piece. I love the quilting on this quilt. A floral design was quilted on the light section and simple straight lines in the dark. This also helps create an optical illusion on how the blocks were even pieced. All I need now is an actual log cabin house to go with the quilt. This is a great scrap buster for sure!!
I will give you a minute or two to catch your breath from this quilt.
Ok, got it?
Do you need to scroll up to see the picture again?
This quilt is even more spectacular in person.
Sandy Klop of American Jane is the creator of this quilt. Forever Friends is Sandy’s quilt. I look at this quilt and think about how each fabric tells a story and what was Sandy thinking about as she worked on this. The shape that Sandy and I both went with was a 1 patch square.
When I made my quilt and knew that my sister on the project was Sandy I knew I had to use reds and that my quilt had to be bright and vibrant just like Sandy’s personality and friendship is to me.
One main difference is her squares are uber small and mine and big and funky.
My quilt is named Ketchup and Mustard and is perfect for a picnic quilt.
( thank you Tammy Vonderschmitt for the quilt name.)
It is hard to have just one favorite quilt from the book,
just like it would be hard to have a favorite child but this quilt Half Square Hashtags from Sheryl Johnson will be the first one I reproduce.
I have always been a fan of Sheryl and her shop Temecula Quilts but had not met her in person until we started working on this book. The challenge I gave Sheryl was make something with half-square triangles, yes that was all I said and she created this beauty.
Part friendship quilt and part signatures from people that have influenced my life is the inspiration for my sister quilt to Sheryl’s, INFLUENCERS. I was able to get signatures some of my teachers, designers, friends, family even the president of Quilts, inc and Moda fabrics. I got signatures from new friends at quilting events and hope to travel some with this quilt, so if I see you I will most likely pull out a pen and ask you for your signature. Thanks for your influence.
Kim Brackett hit it out of the part with her DIVERGENCE quilt. So much pattern,
color and movement throughout the quilt without a single set in-seam.
My kind of quilt looks hard but it is easy.
The quilt just makes me happy!
Remember we did not see each other’s quilts until far along in the process. Trapezoid shapes. Geez, what did I do to myself?
You can never have to many holiday quilt so I went with classic Christmas colors, but wanted to create a spinning effect by making the backgrounds between the stars half darks and half lights. Then I thought it would be a super cool bed quilt with
the star set on point so filled it with background fabrics to float.
Barbara Brackman, the queen of quilting has graciously included one of her antique quilts in this book. Barbara and I did sisterhood quilts a little different. She sent me pictures of several antique quilts and I knew the Orange one was it. To tell you what a small world it is, I had saved a picture of this quilt and it was on my “to make in sometime life” list of quilts and had no idea
it was Barbara’s quilt.
Barbara reproduced her own quilt as a mini and yes the pattern is also in the book.
This quilt was probably the hardest to decide upon. Since I had seen Barbara’s quilt and it was on my must-make list, how could I think of anything else but the wonderfully faded orange and the black and white stripes and tickings? Seriously how can you mess with perfection? So I started with the graphic black and whites but went with dots instead of stripes, added tickings and vintage-inspired lights. Okay, half the fabric was decided upon. The other half of the quilt is Jen Kingwell’s Lollies fabrics. These fabrics are 8 fabrics in one so it was a breeze to get a scrappy look with a limited amount of fabrics. While not messing with the greatness of Barbara’s quilt, I think my Pot of Gold quilt gives lots of options when looking at color and fabric differently. I will still be making the Orange version. ( thanks to Sarah Huecthmann for piecing the top for me)
I am going to have some guest posts from some of the contributors over the next 2 weeks, and there will be prizes!! Books are in stores now. #sisterhoodofscraps
HAPPY BIRTHDAY GAMMY
I get my laugh, my humor,
my snark, my patience
and so much more from my mom.
I know she would love all the quilts and brag to everyone she met.
Happy Birthday Mom and thanks for nurturing and encouraging all things creative in me.
One of the greatest things about my job is that I get the pleasure of meeting all kinds of talented people. I work with designers, writers, creators, publishers, and shop owners from all over the world. Impressive, right?
Katja invited me to take part in her Instagram book tour and Thursday, Nov. 14th is my day. I am writing about it here but you have got to visit @modalissa to be able to enter to win a copy of the book. You can see my block on my IG feed also.
Visit @Katja_marek each day to find out a little more about the book and the blocks and then follow each of the following people on their scheduled day for more chances to win!!
Today starts the Moda All Star’s Mix it up blog hop. The listing of great quilts from talented designers will sure to inspire you. Each designer was given their choice of Cake Mix papers or Cupcake papers to design with. They could use any combination of papers and fabrics.
There are many chances to win and lots of places to hop to, including blogs, facebook pages, and even Instagram.
Follow the links below for each day.
I live in Farmers Branch, a small town that
sits immediately north of Dallas, Texas.
I have lived here since I was eight years old. Three of my five kids live here, and all four of my grandkids live here.
My oldest grandson just started Kindergarten at the same elementary school I attended.
Why I mention this, is our family roots run deep and while I live in a suburb of Dallas, Texas surrounded by international business,
bustling highways, I love anything country/farmhouse related.
When I found out Martingale was publishing a book from Julie Thomas, I knew I had to own it.
I have followed Julie on instagram for quite a while and love everything she does.
Now I get to drool over the pages in print as she shares how they
“created a country life just past the city limits.”
Sounds completely heavenly!
Not only is the book full of gorgeous pictures, but it is also full of how-tos,
such as creating an outdoor eating area.
Many of these ideas are doable regardless of your space.
Gardening? My brown thumb doesn’t work, but I love reading about it,
dreaming about it and eating out of other people’s gardens.
Chickens Like Pumpkins Too.
This saying made me giggle.
My daughter lives in the country and raises chickens, so I do enjoy fresh, colorful eggs.
I will certainly send my pumpkins to the farm as treats for her chickens.
And if this is not the cutest thing ever,
an Olde English “Babydoll” sheep.
Not sure if this is Teddy, Winston or George but I
could stare at him for days.
A great book to add to your Christmas wish list! Available at your favorite book retailer. Stock #B1500
(all above photos used courtesy of Martingale publishing)
The book will be in stores October 1st, but as a special treat, I have an advance copy that I am going
to share with one of my country girl readers.
Leave a comment and let me know if you had an animal growing up.
I had many animals, but one of my favorites was my duck named Frito.
I will pick a winner at random on Wednesday the 18th.
Moda Jelly Rolls have been around since 2008 and I can’t believe how many wonderful projects, tools, notions, patterns, and books have been created based on the 2 1/2″ strip. I will never forget the first time I used a jelly roll. After working a full day at the greatest job ever, I went home, opened a jelly roll and started sewing. So theraoutic!
The Moda All-Stars have done it again, each quilt is based on a jelly roll. Some of the quilts have additional fabrics added, some of the quilts are appliqued. There is something for everyone, 16 quilts all in all shapes and sizes sure to inspire.
and last but not least Parfait by Sherri McConnell. Can you believe these projects all started with a Jelly Roll?
The proceeds from the sale of this book are going to Schools on Wheels, an organization that provides academic tutoring to children living in shelters, motels, cars, group foster homes and on the streets in Southern California.
Your purchase of any of the Moda All-Star book helps us make donations to many of the causes that Moda Fabrics, Martingale Publishing and the Moda Designers believe in. Thank you for that!
Leave a comment and let me know what quilt you would want to make….. I have a few books that need to put to use!