Category: My Quilts

Oh Scrap

Oh Scrap was my first published book in 2018. It had never been my dream to write a quilt book, but I was intrigued at the process. I like to learn and I am always up for a challenge.

And a challenge this was. In 2016,  I was experiencing massive headaches, which eventually caused a seizure. While in the hospital, they discovered I had a subdural hematoma. I am getting to the part about the quilt book but need to fill you in on the back story. After many more seizures, the doctors got a handle on those and I went home. Headaches continued, back in the hospital and had a right craniotomy on March 16th, 2016.

Brain surgery – Egads!!

Because of the seizures I could not drive for several months, state law. I was just sure that my brilliant doctors had now created Izzy 2.0 and my brain was going to be bionic. I imagined myself as the bionic woman, I can do anything after all of this.

While off work during this time, I decided I could/would tackle a quilt book. So it began. I kept a file folder on my desk, titled Oh Crap.

Is anyone going to like this?

Why am I second guessing myself, after all I am the bionic woman.

Once the quilts were completed and projects were sent in, I told me editor of my Oh Crap folder and that is actually where the name of the book came from, Oh Scrap.  This book was a solo book and then I went on to do 3 more books that were collaborative books with various Moda designers and other friends in the quilting industry. I have written about this book before, so for more details, pictures and more check here, here and here.

Writing a quilting book is no small feat. It begins with an idea, a spark of inspiration that blossoms into a collection of designs, patterns, and stories. Authors pour their hearts and souls into the creative process, testing and refining each pattern, selecting fabrics, and weaving narratives that resonate with fellow quilting enthusiasts. The journey involves countless hours of stitching, experimenting, and revising until the vision is realized on the pages of the book. I have such a great appreciation of my friends and fellow authors.

Oh Scrap

Fast forward a few years and I received a call from my editor about the future of Martingale Publishing.

Martingale Publishing, a renowned name in the quilting book industry, played a pivotal role in bringing quilting inspiration to homes worldwide. Known for its commitment to quality content and being an employee-owned company, Martingale fostered a sense of community and collaboration within its ranks. The decision to close its doors came as a surprise to many in the quilting world.

The closure of Martingale Publishing marked the end of an era for myself and quilting enthusiasts. As an employee-owned company, the decision to close must have been a difficult one. While the specifics of the closure may not be fully known, it serves as a reminder of the challenges faced by even well-established entities in the ever-evolving publishing landscape.

Writing a quilting book is a laborious yet fulfilling endeavor, culminating in a tangible representation of one’s passion for the craft. “Oh Scrap” and the closing of Martingale Publishing remind us of the ever-changing landscape of the quilting world. As the quilting community adapts to new opportunities and challenges, the legacy of creativity and camaraderie will continue to thrive, stitching together a vibrant tapestry of shared experiences.

Authors were given the opportunity to own all of their books and the assets included with that. This is a very important story to tell. It is a bit complex and while the quilt designs are my own, the text, photography and illustrations are not. Martingale could have very easily sold this off to the highest bidder with no regards to how the books would be stripped apart, reused and repurposed with no acknowledgement of the original creator.  Yes this has happened before with other publishers and it was not pretty.

I am proud to own all of the assets of my books. While I will always direct purchases to mom and pop quilt stores, many of my books are no longer available. I am in the process of creating individual patterns and as that is happening, I have partnered with Fat Quarter Shop to sell my books as downloads. To purchase Oh Scrap, click here.

This is very exciting especially for international quilters who often had to pay way to much for printed books.

I cannot thank my life-long friends from Martingale enough for believing in me and teaching me so much.

-modalissa

Resolutions

We are a month into 2024. I don’t usually make resolutions. I don’t pick a word for the year.

But I have done something quilty each year. The majority of the things listed below are very predictable for me but I did concentrate an entire year on each. This all started several years ago with my self proclaimed, Year of the DOT, polka dot. I put a polka dot fabric on the back of every quilt I made that year. I am still a huge fan of using dots wherever I can.

the year of the polka-dots

The next year was the year of WOVENS. Each of my quilts had a plaid/woven fabric for the back. I loved how my quilts felt. The quilts seem to just drape a little differently since most ovens are a bit more lightweight that their print counterparts. Adding the geometric plaids on the back was such a nice surprise when you flipped over the quilt.

The next year was BIAS STRIPED BINDINGS. I collect stripes so I always have something for a binding. I know all of this is silly, but it is a fun game. Did I date and of these quilts? NO. Did I document them? NO. I guess if I pulled all of my quilts made within the last 7 or 8 years I could figure some of the timeline out.

 

This one I am embarrassed about. My goal was to put a label on all my quilts. This is so important and I should ABSOLUTELY do this.  But I didn’t! Maggi Honeyman of @sewmaggi quilts the majority of my quilts and she always stitches my name somewhere in the quilt. I have considered this a label but I need to do better. Thank you Maggi!

On year 5, I thought it would be great to add a sleeve to the back of each of my quilts. A sleeve is a casing on the top back of the quilt and is usually used to hang the quilts. I didn’t make it through the year on this one. Epic fail in fact. Really who needs sleeves, you most likely are not going to hang quilts on every wall as if they are wallpaper. Fast forward to today, right now! I have entered 3 quilts in the Dallas Quilt Show and yep, they all need sleeves added.

Year 6, PIECED BACKS! This is my fav and I still try to do this as much as I can. I highly suggest trying this for several reasons.

  • Pieced backs use up lots of scraps.
  • No need to buy 6 yards of fabric
  • Freedom to create a puzzle of pieces making sure it is oversized for the Longarm.
  • I love flipping the quilt over and the surprise on the back.

Year 7, I decided to play with what was on the inside of the quilts. I do have to say this has been my favorite thing to do, only second to pieced backs.  I tried different batting, everything from bamboo, cotton, wool or poly/cotton. Each of them quilted up differently. The wool had so much great texture that the stitching disappeared into the quilt and seemed to make the fabric pop. Other than living in Texas I would use wool more. I use black batting for dark quilts and I used white batting for quilts with lots of light or low volume backgrounds or even white solid backgrounds. I could not believe the difference this made in the color of the batting not discoloring the whites.

Does that make sense? The majority of battings are cream in color. If you use a cream batting in a white quilt, it will slightly discolor the white. I also tried flannel for batting and it is my very very favorite. The quilt is thin but dense, and drapes every curve of your body. Wide flannel is hard to come by so when I see it I buy it. Lisa Bongean of Primitive Gatherings has a 108″ flannel coming out in solids. Moda’s flannels are actually cotton fabric so the construction is a tad different from actual flannel fabrics. Moda’s flannels are then double brushed ( brushed on each side)  so this makes them perfect for quilt back or batting!! As soon as Lisa’s fabric- Farmhouse Flannels get here, I will be buying bolts just for battings!!

So for this year I am tackling journalling each quilt. The saying every quilt tells a story is true so I am logging the info, details and any happenings along the way. Plus I am getting way too old too remember this stuff.

-modalissa

Hugs and Kisses

Hugs and Kisses, X’s and O’s just another reason to start a quilt. What is it about Valentine’s Day that makes me want to start another quilt? Duh, as I type this I realize what a silly question that is. I always want to start anther quilt regardless of the day.I am knee deep in Quilt-Alongs, Moda Blockhead’s, samples for work and a few overdue baby gifts but I stumbled on my block from the Blockheads 3 series and remembered I had always wanted to make this as an overall quilt.

 

 

I was going to go scrappy at first, because that is usually what I do, then I was all in to some simple Bella Solids, but game time decision and I ended up going with Moda Crossweaves. Crossweaves are a woven fabricant has the slightest bit of texture. It is a lightweight dreamy feel. This is where I wish blogs could have touch and feel ability. The end result will be a lightweight, drapey feel. I am using Crossweave Cherry 12216 14, Carnation 12216 15, and Off White 12216 34 for corner squares and border.

I starched my fabrics since these are woven and can ravel a bit with excessive use. I also used the June Tailor Quarter Cut ruler to submit my 1 1/2″ corner squares. Shown above is 2 strips 44″, then folded in fourths. I was able to accurately cut 56 squares in about 15 seconds. Using the quarter cut ruler helped make sure my squares stayed square and I didn’t slip and slide any when cutting. Click the link for a video on how this ruler is a must have.

Sorry for the blurry pic, but wanted to share this great seam guide tape by Primitive Gatherings. It has several markings for guides and eliminates the need to draw lines on your fabric.

The rest is mindless repetitive sewing. Add a corner square to opposite sides of the reds and pinks. Trim and Press.

Then depending on how you sew the sections together you get either an X block or an O block. Join 4 together to make a block.

The blocks shown here are the 8″ blocks on the instructions. (the X is 4″and the O is 4″) The instructions have several size options so be sure and follow the 8″ block cutting info.

If you are making an overall quilt, this can be assembled in rows but I am going to make blocks and then join those, so it is not so fiddly to match seams.

Here is my plan and the instructions to make the block.

8″ blocks

6 across x 8 down

6″ borders

to download the instructions, click here.

A random bit of research on where the X and O symbolism came from…. the X symbolizes a kiss, often traced back to medieval times when illiterate individuals would sign documents with an X and then kiss it as a display of sincerity. The dual meaning of X’s and O’s – the X representing a kiss and the O symbolizing a hug. These symbols have become a sweet and simple way to express affection, whether in written form or as physical gestures. In the digital age, the XOXO continues to be an abbreviated text message of love.

Sending you hugs and kisses or XO XO. Now back to sewing my blocks.

Enjoy!- Modalissa

 

Blockheads Update

New Year, New Projects or in this case a continuation of last year’s Blockheads 5. Each blockheads series I struggle with what my setting is going to be. While I think I am one of those go with the flow kind of gals, I know I suffer from paralysis from analysis.  Knowing what the layout is, does influence the fabrics you are using in your blocks or at least the color placement.

Do you struggle from this also?

This is the newest block to start 2024 off with a bang. The block is from Sherri McConnell of A Quilting Life.

This block is also by Sherri Mc Connell (round 1).  I made the 6″ block inside of the 12″ block. Squint at it. I see a secondary design and think once it is quilted, it will show the design more.

All of the block blocks can be found here on Moda Fabrics website/blog.

I have made some of the blocks as 12″ versions but now that I know what my setting is going to be I am making all 6″ blocks.

I started my project with Nantucket fabrics by Camille Roskelley, mixed in some greens and lights from her current line Lighthearted and will be adding Shoreline which will be in stores later this spring.

We have a weekly Facebook group for Blockheads. If you have not joined the group, please do.

Moda Blockheads Facebook Group:   / 253867175058745 

I decided to  use the  BLUEPRINT quilt by Susan Ache as inspiration for my setting. I am using 6″ blockheads blocks and larger filler blocks from the Celebrate with Quilts book. I did a quick video showing the book and the status of my progress on Blockheads.

So far the quilt has a soft and vintage feel.  I can’t wait to finish it.

For a complete resource guide for everything Blockheads, visit here.

-Modalissa

I love this quilt so much!

Experiment with color placement, combine different fabrics and colors, and let the quilt tell its own story. I am dying to do this in Christmas fabrics with darks in the middle.

Chains

So fun!!

Light fabrics are not normally fabrics that you gravitate to buy. It is so much easier to be attracted to color and print when shopping. Think of lights like milk and bread. You always need them and buy good ones when you see them. They are timeless and don’t expire like milk and bread.

Christmas Connections

Nothing better than a new Christmas magazine arriving in October, This gives me plenty of time to drool over the designs and actually get one made before the holidays. I think I am going to tackle the cover quilt from Lisa Bongean and Alysha Haran. The quilt is made using 2 1/2″ jelly roll strips so it should be fast to jump on in. Fingers crossed.

the 3 images shown here are Used with permission from American Patchwork & Quilting® magazine.
©2023 Meredith Operations Corporation. All rights reserved.

The magazine has lots of great quilts/projects including projects from Wendy Sheppard, Annette Plog, Katie Hennagir, Jerome Thomas,  and ME!! Yes the quilt shown here is mine. I am in love with how the team at APQ styled and photographed the quilt. Here in Texas with the temperature still  close to 100, I can’t help but dream of such a delightful scene with ice skaters in the background.


There is also a great feature about Amanda Niederhauser, her home and studio.

Ask for American Patchwork and Quilting, December issue on news stands October 6th, 2023.

Scrappy Celebration QAL-update

 

I can’t believe the Scrappy Celebration QAL is almost over. It is like putting together a puzzle and getting down to the final pieces. Happy but sad and what to do next. Thought I would share some of the pics from both color options of my quilts here.

My original quilt is the perfect combination of summer sherbet colors, but for the QAL I remade the quilt with Red, White and Blues.

I thoroughly enjoyed picking out fabrics each week for blocks.

Keeping a pile of my bits and pieces so I could pull some of the sizes I needed for other blocks came in handy. I do have leftovers and may have to make something from all these pieces.

 

I had been holding on to a bolt of Bonnie and Camille dots from Bliss and knew I had to use this for the backing. Then I dug through all of the leftover bias bits and thought I would funk it up some by adding some yellow to my red white and blue version. Will show the finished quilt soon.

OTHER DETAILS-

You can follow along on Moda’s Blog for each weeks post.

Thank you to Electric Quilt Company for creating fun quilt design software that started this whole  project.

Get the Quilt-Along Pattern

 

 

Scrappy Celebration QAL

Time flies! I can’t believe it has been 10 years since I did a quilt-along with American Patchwork and Quilting for their 20th anniversary.
Fast forward to their 30th anniversary and I am honored and proud
to be featured….on the cover…
APQ April 2023 Cover

I am a newbie to using the quilt design software, Electric Quilt. To play with this I started adding a variety of nine patches, four patches and any similar block. I fell in love with the mathematic look of the quilt and knew I just had to make it.

All images in this blog post are used with permission from American Patchwork & Quilting magazine . Meredith Operations Corporation. All rights reserved.

Let’s skip to the good part. American Patchwork and Quilting is featuring my quilt as one of their 2023 QAL and they have a Facebook group you can join to play along. I am going to make another version of this quilt during this QAL using red, white and blues with my collection of Minick Simpson fabrics.

If you want to join in, the details are included below.

Pattern Details

Finished quilt: 63-1/2×72-1/2″

 For this quilt, you’ll need:

  • 1-1/8 yard total assorted pink prints
  • 2-3/4 yards total assorted white prints
  • 1/2 yard total assorted red and dark pink prints
  • 3/4 yard total assorted green prints
  • 1 yard total assorted orange prints
  • 1 yard total assorted blue prints
  • 7/8 yard total assorted yellow prints
  • 5/8 yard orange-and-white print (binding)
  • 4 yards backing fabric
  • 72×81″ batting

All of the following info is available here also.

Get the Quilt-Along Pattern

Quilt-Along Schedule

The quilt-along runs from February 20-April 16. While there is a recommended sewing schedule (see below), you can also sew at your own pace!

Scrappy Celebration

If you’re posting on Instagram, use the hashtag #APQQuiltalong to share your progress.

I hope you join us as I share more about Electric Quilt and all things 9 patch.

and lastly THANK YOU so much to the talented team at American Patchwork and Quilting. The April issue ( on newsstands now) is full of wonderful projects and a look back over the 10 years. I have drooled over the pages and talented in this issue.

-Enjoy!

Oh Scrap QAL- Sashing and nine patches

hello, Hope you had a nice Thanksgiving break. I so enjoyed the break and can never have enough food or family time. Not all my crew was able to come home but we did have a houseful.

I re-arranged my sewing room and did some SECRET SEWING and vegged on the couch some, so it was a productive break.

The countdown to Christmas has begun both at home and at work. At work we are working on getting the rest of Holiday 2022 out to our salesteam. They will be making their rounds showing stores fabric lines shipping info next summer. seams so crazy to be living in Christmas 2021 and 2022 all at the same time. FUN ! FUN!

Today’s assignment on the #OHSCRAPCHRISTMASQAL is to add your sashing pieces. I cut my sashing pieces first since they are a bigger piece and I wanted to make use of some of the larger scale prints.

The corner squares are nine patches so you can use parts and pieces from your four patches or following the directions in OH SCRAP to assemble these.

This should come together fairly quickly. I have heard from several of you that have completed your quilt top already. I know when I am excited about a quilt project I am working on, I cannot stop sewing.

As a quilter, I am so highly influenced by color so seeing some of the combinations other people have put together always inspires me. That is the reason I had to make this Christmas version, inspired by @happinessinthemaking and the Hustle and Bustle fabrics by Basic Grey.

I wanted to share just a few of the pics I found on Instagram of some of the progress happening on the QAL as more color inspiration.

This is where it all started. A fat quarter bundle and some extras. I love how Jennifer has her book on a bookstand for easy reference.

i

Richy’s from Basic Grey ‘s version is dreamy, using the greens where I used lights.

 

Kim Walus  of @bittybitsandpieces has finished her quilt top and I love it. It is always amazing to me how scrappy versions can be so different and intriguing to zoom in to see all the different fabrics.

I can’t wait to see Candee complete this one. It is going to be a classic for sure!


Love the romantic feel of Dianes’ progress.

This one just makes my heart happy. I love anything rainbow and this fun colorful set of four patches from Gina of @Games56 is a ton of fun! Gina is a long armer so I bet the quilting will be fun to see as well.

I fell in love with Jen’s 4 patches. Don’t they look like boxes of trusty fruity or mike and Ike’s? I was drawn in to the background fabric also but realized that is her Ruby Star ironing board cover.

 

Thanks so much for following along on this little quilting journey. Check back next week for my final post about the quilting  and maybe a few other surprises.

 

Enjoy,

 

-modalissa

 

 

 

Surrounded QAL- Blocks

I have had so much fun sewing with you on this QAL.   I have enjoyed the pictures you have shared and so proud of those of you that have already completed your quilt top. Kuddos to you!!

This stack of completed quilt blocks looks like a hot mess but will turn into a wonderful keepsake. What is your favorite part of the quilt making process? I love picking out the fabrics, planning what the project is going to be and making a test block. Then I am very inpatient after that. I just can’t wait to  see each part of the quilt develop.

Quilting is my job and my hobby but mainly it is my therapy. The hum of the sewing machine and watching bits and pieces of fabric put me in a mediative zone of some sort.  I sew and sew and sew until the quilt top is complete, then  I get to the point of second guessing some of my choices, kind of a lull in the process.

I send 99% of my quilt tops to be machine quilted. Once I get the quilt back from the quilter, it is like I receive a special package of magic that has made my quilt come to life. Not that the quilt is full of sparkles, glitter and neon thread, but there is just something so special about the artistry and texture that the quilter adds to my project. More on this in a future post.

I don’t have too many tips on how to assemble your blocks other than just do it and enjoy the process. Each block is a creation all it’s own when working scrappy.

What fabric is going to be the prom queen?

What fabric has a bit of the clash factor?

Squint at the blocks and see what fabric choices worked and some not so much.

Don’t dare rip anything out if you don’t like it, just learn from it.

I recently was on a photo shoot where some of my quilts were being photographed. Through the lens of the camera I saw things that were like, Oh Wow! that probably was not the best fabric placement choice.  This is where I get the saying, not all the fabrics can be the prom queen and only my over critical eye of my own work would have ever even noticed.

We are taking a break for the Thanksgiving Holidays and will be back to talk a little about sashing, corner squares, pieced backs, quilting and binding.

Enjoy your family, friends and health and I am praying for moving closer to some degree of normal. (fingers crossed)

Use the hashtag #OhScrapChristmasQAL so I can follow along.

SIDE NOTE! The global supply chain has been tough this past year and has created an overall upheaval in deliveries. This is tough especially for the  independent quilt retailers.  Be sure and support your favorite quilt or specialty retailers  during this holiday season. If you don’t have a quilter on your shopping list, then buy yourself a quilty present, wrap it, put it under the tree, act surprised when you open it and thank “whoever” bought it for you because they knew just what you wanted. (ask me how I know?)

Break for Thanksgiving
-Wednesday, Dec. 1st – Sashing
-Wednesday Dec. 8th – Assemble Quilt top

Enjoy,

-modalissa